{"id":10179,"date":"2026-06-05T17:28:23","date_gmt":"2026-06-05T14:28:23","guid":{"rendered":"https:\/\/imdbnews.ir\/?p=10179"},"modified":"2026-06-06T12:17:20","modified_gmt":"2026-06-06T08:47:20","slug":"directive-8020","status":"publish","type":"post","link":"https:\/\/imdbnews.ir\/index.php\/2026\/06\/05\/directive-8020\/","title":{"rendered":"Directive 8020"},"content":{"rendered":"<p><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p><strong>Platforms:<\/strong> PS5, Xbox Series X|S, PC<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Are game developers OK? Is planetary nihilism spreading through their ranks? It just that&nbsp;<em>Directive 8020<\/em>, the fifth game in Supermassive Games\u2019&nbsp;<em>The Dark Pictures Anthology<\/em>&nbsp;meta-series, starts with the same \u201cEarth is on the brink of human-driven collapse!\u201d scenario as both&nbsp;Aphelion&nbsp;and&nbsp;Cthulhu: The Cosmic Abyss<em>.<\/em>&nbsp;Not that the climate crisis&nbsp;<em>isn\u2019t<\/em>&nbsp;the greatest threat to our species, but&nbsp;it\u2019s&nbsp;weird three games have arrived with the same narrative hook in as many months.<\/p>\n<p><\/span><\/p>\n<div class=\"inlineImage_image-container__aklxu block-item\" data-test=\"inline-image-container\"><img decoding=\"async\" alt=\"Directive 8020\" loading=\"lazy\" data-nimg=\"fill\" src=\"https:\/\/imdbnews.ir\/wp-content\/uploads\/2026\/06\/directive-8020.jpg\" \/><\/div>\n<p><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>However, unlike the other two,&nbsp;<em>Directive 8020<\/em>&nbsp;is a purely story-driven outing,&nbsp;and although&nbsp;it&nbsp;largely drops&nbsp;the&nbsp;<em>Dark Pictures<\/em>&nbsp;branding,&nbsp;it\u2019s&nbsp;still built on the same bones.&nbsp;Its tale of a crew of astronauts out to survey a contender planet for humanity\u2019s new home,&nbsp;only to find themselves under threat by a monstrous alien presence,&nbsp;splinters&nbsp;at hundreds of junctions, with each choice made and every&nbsp;objective&nbsp;completed or failed. It also serves as the start of the second&nbsp;<em>Dark Pictures<\/em>&nbsp;\u201cseason\u201d,&nbsp;and despite burying the framing device of the Curator, there are plenty of links back to earlier games, especially&nbsp;2021\u2019s&nbsp;House of Ashes.<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>The highlight is undoubtedly the casting, with&nbsp;No Time To Die\u2019s&nbsp;Lashana Lynch headlining as pilot Brianna Young, and rounded out by&nbsp;Black Panther\u2019s&nbsp;Danny Sapani as commander Nolan Stafford,&nbsp;Nuremberg\u2019s&nbsp;Lotte Verbeek as second in command Laura Eisele,&nbsp;How to Train Your Dragon\u2019s&nbsp;Anna Leong Brophy as medical officer Samantha Cooper,&nbsp;and stage and screen actor Philip Arditti as engineer Josef Cernan.<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Control shifts between these five protagonists (in single player; multiplayer sees characters assigned between players to maximise the unpredictability factor),&nbsp;rounding out the story with different perspectives and insights. Certain decisions will also subtly shift&nbsp;the&nbsp;cast\u2019s&nbsp;personalities,&nbsp;increasing or decreasing certain traits that can, in turn, lock in certain \u201cdestinies\u201d for them. The all-star cast fully commit, instilling their roles with impressive seriousness and pathos, and genuinely making players care about their fates. As some may die over the course of the game,&nbsp;you\u2019ll&nbsp;often find yourself wanting to revisit earlier chapters to make difference choices and spend more time with them.<\/p>\n<p><\/span><\/p>\n<div class=\"inlineImage_image-container__aklxu block-item\" data-test=\"inline-image-container\"><img decoding=\"async\" alt=\"Directive 8020\" loading=\"lazy\" data-nimg=\"fill\" src=\"https:\/\/imdbnews.ir\/wp-content\/uploads\/2026\/06\/directive-8020-1.jpg\" \/><\/div>\n<p><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>The ability to hop back and forth along the&nbsp;time-line&nbsp;is one of the most significant changes&nbsp;<em>Directive 8020<\/em>&nbsp;makes over its predecessors. Dubbed \u201cTurning Points\u201d,&nbsp;it allows you to skip back at any point \u2013 if a beloved character dies, for instance, or you realise you made a particularly poor choice. Its impact is hit and miss though \u2013 on one hand saving players time over replaying entire chapters or the whole game from scratch, and&nbsp;from&nbsp;having to remember when to zig where they previously zagged, but on the other removing most of the peril from the series\u2019 signature brand of choice and consequence.<\/p>\n<p><\/span><\/p>\n<div class=\"pullQuote_pullquote__ynq1g\" data-test=\"pullquote\">\n<div class=\"pullQuote_pullquote__content__gRuai\">\n<blockquote>\n<p>Maybe it\u2019s down to a few decades of shared cultural familiarity from the likes of <em>Alien<\/em>&nbsp;or&nbsp;<em>Event Horizon<\/em>&nbsp;that undermines it, but there\u2019s little that this does with its mix of sci-fi and nightmarish organisms from the depths of space that sends shivers down the spine.<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n<p><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>At any point, even&nbsp;during&nbsp;cutscenes, you can pause and view the entire timeline of the current&nbsp;or&nbsp;previous&nbsp;chapters,&nbsp;seeing each&nbsp;node and every branch. While nodes&nbsp;you\u2019ve&nbsp;not reached yet will be blanked out, branching points&nbsp;still to come&nbsp;will outright tell you which choice you need to make on the prior node,&nbsp;allowing you to plot out exactly how you want to sculpt the story. Even though players can opt for \u201cSurvival Mode\u201d \u2013 the traditional&nbsp;<em>Dark Pictures<\/em>&nbsp;experience, no&nbsp;takie-backsies&nbsp;\u2013 you can still view all the nodes, undermining much of the uncertainty.<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Supermassive also tries to make&nbsp;<em>Directive 8020<\/em>&nbsp;more of a game, less of an interactive movie, but also&nbsp;to&nbsp;mixed&nbsp;effect. A small&nbsp;encyclopedia\u2019s&nbsp;worth of collectibles are scattered around, adding a bit of world building depth and some mechanical replay value if you miss any \u2013 although one&nbsp;datapad, found early on, telegraphs a late-game story twist with glaring neon lights if you\u2019re paying attention \u2013 while the familiar quick-time-events that sufficed as action for previous entries are joined by occasional stealth sections&nbsp;as the crew try to avoid alien monsters. Unfortunately, these are unforgivably dated in design and clunky in approach \u2013 hide behind conveniently waist-high obstacles, use an x-raying pulse to see exactly where the creature, create distractions to move past undetected, repeat a few dozen times.&nbsp;It\u2019s&nbsp;tense at&nbsp;first, but&nbsp;soon becomes more of a chore than a scare.<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Which brings us to&nbsp;<em>Directive 8020\u2019s<\/em>&nbsp;biggest failing \u2013 for the latest entry in a long-running horror gaming series,&nbsp;it\u2019s&nbsp;just not scary. Maybe it\u2019s down to a few decades of shared cultural familiarity from the likes of <em>Alien<\/em>&nbsp;or&nbsp;<em>Event Horizon<\/em>&nbsp;that undermines it, but there\u2019s little that this does with its mix of sci-fi and nightmarish organisms from the depths of space that sends shivers down the spine. Even attempts at jump scares are easily spotted in advance, despite the occasional clever use of framing devices like&nbsp;observing&nbsp;remote locations through security cams \u2013 any halfway seasoned viewer just&nbsp;<em>knows<\/em>&nbsp;when something is about to move in front of the lens.<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Still, this all works well as a slice of science&nbsp;fiction in its own right, elevated&nbsp;by its committed cast and some strong character writing. Supermassive Games\u2019 efforts to evolve the series here&nbsp;don\u2019t&nbsp;always pan out, but they do help lay the groundwork for whatever the&nbsp;<em>Dark Pictures Anthology<\/em>&nbsp;may evolve into over the course of this new season \u2013 and hopefully that involves some more scares in future.<\/p>\n<p><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Platforms: PS5, Xbox Series X|S, PC Are game developers OK? Is planetary nihilism spreading through their ranks? It just that&nbsp;Directive 8020, the fifth game in Supermassive Games\u2019&nbsp;The Dark Pictures Anthology&nbsp;meta-series, starts with the same \u201cEarth is on the brink of human-driven collapse!\u201d scenario as both&nbsp;Aphelion&nbsp;and&nbsp;Cthulhu: The Cosmic Abyss.&nbsp;Not that the climate crisis&nbsp;isn\u2019t&nbsp;the greatest threat to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10180,"comment_status":"open","ping_status":"closed","sticky":false,"template":"Default","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-10179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-47"],"_links":{"self":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/10179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/comments?post=10179"}],"version-history":[{"count":1,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/10179\/revisions"}],"predecessor-version":[{"id":10181,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/10179\/revisions\/10181"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media\/10180"}],"wp:attachment":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media?parent=10179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/categories?post=10179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/tags?post=10179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}