{"id":10494,"date":"2026-06-12T20:13:31","date_gmt":"2026-06-12T17:13:31","guid":{"rendered":"https:\/\/imdbnews.ir\/?p=10494"},"modified":"2026-06-13T04:42:26","modified_gmt":"2026-06-13T01:12:26","slug":"madfabulous","status":"publish","type":"post","link":"https:\/\/imdbnews.ir\/index.php\/2026\/06\/12\/madfabulous\/","title":{"rendered":"Madfabulous"},"content":{"rendered":"<p>The flamboyant Henry Paget (Callum Scott Howells) returns to his family seat in Anglesey, where he flouts Victorian values with his ostentatious taste. He soon charms his cousin Lily (Ruby Stokes) and supportive butler Gelert (Rupert Everett).<\/p>\n<div><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>A star-making turn from Callum Scott Howells has been due since his&nbsp;heartbreaking&nbsp;appearance&nbsp;as gay tailor Colin in Russell T&nbsp;Davies AIDS-crisis drama&nbsp;<em>It\u2019s&nbsp;A&nbsp;Sin<\/em>&nbsp;in 2021. Thankfully,&nbsp;he has been thrust into the spotlight by actorand sometime director&nbsp;Celyn Jones, for whom&nbsp;<em>Madfabulous<\/em>&nbsp;marks a second&nbsp;stint behind the camera. Howells portrays Henry Paget, 5th Marquess of Anglesey:&nbsp;a&nbsp;largely&nbsp;forgotten&nbsp;figure in Welsh queer history,&nbsp;whom Jones and writer Lisa Baker have resurrected after discovering his portrait at the Paget family seat, Plas Newydd.<\/p>\n<p><\/span><\/p>\n<div class=\"inlineImage_image-container__aklxu block-item\" data-test=\"inline-image-container\"><img decoding=\"async\" alt=\"Madfabulous Review\" loading=\"lazy\" data-nimg=\"fill\" src=\"https:\/\/imdbnews.ir\/wp-content\/uploads\/2026\/06\/madfabulous.jpg\" \/><\/div>\n<p><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Henry died in 1905 at the age of 29, an exuberant figure who frittered away his family fortune and left his ancestors in debt;&nbsp;a largely unsympathetic&nbsp;character. Yet Howells plays the Marquess with overwhelming heart, a man whose privilege allowed him to live as his authentic self in opulent fashions and in staunch denial of the strictures of conservative, upper-class society. Ruby Stokes matches the glint in Henry\u2019s eye as his cousin and wife Lily&nbsp;\u2014&nbsp;togetherthey&nbsp;present an alternative, proto-Bloomsbury&nbsp;Group&nbsp;form of queer relationship. They are watched over by Jeeves-like butler Gelert, a perfectly cast&nbsp;Rupert&nbsp;Everett. His&nbsp;telling&nbsp;of the legend of&nbsp;his namesake, the&nbsp;Gelert&nbsp;greyhound of Welsh folklore,&nbsp;is the film\u2019s tenderest moment.<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>The production is&nbsp;impressively&nbsp;lavish&nbsp;given its&nbsp;fairly low&nbsp;budget, bolstered by a terrific score&nbsp;from&nbsp;Dan Baboulene.&nbsp;The highlight of Howells\u2019&nbsp;performance is his staging of the Marquess\u2019 famous \u2018butterfly dance\u2019,&nbsp;borrowed from&nbsp;Lo\u00efe Fuller and familiar to early-cinema aficionados in the work of Alice Guy-Blach\u00e9. Moving to music in voluminous silk robes in imitation of wings, the effect recalls the cinema of Powell and Pressburger, drawing us into Henry\u2019s unique inner world of freedom and expression. Delicately played by the entire cast,&nbsp;\u2018Madfabulous\u2019&nbsp;sounds about&nbsp;right.<\/p>\n<p><\/span><\/div>\n<p>Celyn Jones puts Callum Scott Howells centre-stage in this bold and beautiful celebration of Welsh history. A vital testament to queer optimism and pride even in the darkest of times.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The flamboyant Henry Paget (Callum Scott Howells) returns to his family seat in Anglesey, where he flouts Victorian values with his ostentatious taste. He soon charms his cousin Lily (Ruby Stokes) and supportive butler Gelert (Rupert Everett). A star-making turn from Callum Scott Howells has been due since his&nbsp;heartbreaking&nbsp;appearance&nbsp;as gay tailor Colin in Russell T&nbsp;Davies [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10495,"comment_status":"open","ping_status":"closed","sticky":false,"template":"Default","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-10494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-47"],"_links":{"self":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/10494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/comments?post=10494"}],"version-history":[{"count":1,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/10494\/revisions"}],"predecessor-version":[{"id":10496,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/10494\/revisions\/10496"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media\/10495"}],"wp:attachment":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media?parent=10494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/categories?post=10494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/tags?post=10494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}