{"id":13969,"date":"2026-09-09T20:05:05","date_gmt":"2026-09-09T17:05:05","guid":{"rendered":"https:\/\/imdbnews.ir\/?p=13969"},"modified":"2026-09-10T12:16:44","modified_gmt":"2026-09-10T08:46:44","slug":"fall-2","status":"publish","type":"post","link":"https:\/\/imdbnews.ir\/index.php\/2026\/09\/09\/fall-2\/","title":{"rendered":"Fall 2"},"content":{"rendered":"<p>Following the events at the B67 TV Tower, Jax (Harriet Slater) and Luce (Arsema Thomas) climb to the top of Thailand\u2019s Mount Kwan \u2014 with disastrous results.<\/p>\n<div>\n<hr class=\"preferredSourceCTA-module-scss-module__sCL6Nq__divider\" \/><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>2022\u2019s <em>Fall<\/em> was a ruthlessly efficient genre exercise, stripping the disaster-survival thriller down to its most essential parts. The premise was simple: two climbers (Grace Caroline Currey\u2019s Becky and Virginia Gardner\u2019s Shiloh), one grieving the loss of her husband, the other a devil-may-care YouTuber, accidentally get trapped on the top of America\u2019s tallest TV tower, and must use their wits and ingenuity to escape.<\/p>\n<p><\/span><\/p>\n<div class=\"inlineImage-module-scss-module__t19_Pa__image-container block-item\" data-test=\"inline-image-container\"><img decoding=\"async\" alt=\"Fall 2\" loading=\"lazy\" data-nimg=\"fill\" src=\"https:\/\/imdbnews.ir\/wp-content\/uploads\/2026\/09\/fall-2.jpg\" \/><\/div>\n<p><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>This minimalist but highly effective B-movie was a sleeper hit in the Covid era, so it has spawned a second go-around. Echoing the first film\u2019s surprise success, the original climbers are now social-media stars, with thousands of \u201cFall-owers\u201d, as one podcaster puts it \u2014 but our heroes this time are Jax (Harriet Slater), the younger sister of Shiloh, and Shiloh\u2019s friend Luce (Arsema Thomas). They find Shiloh\u2019s journal with an ambitious climbing bucket-list, and Luce convinces Jax to traverse the treacherous plank walk of Thailand\u2019s Mount Kawn \u2014 which has, at its summit, the \u2018Death Dragon\u2019, a statue said to eat your fears.<\/p>\n<p><\/span><\/p>\n<div class=\"pullQuote-module-scss-module__tK70Tq__pullquote\" data-test=\"pullquote\">\n<div class=\"pullQuote-module-scss-module__tK70Tq__pullquote__content\">\n<blockquote>\n<p>It is at its best when giving you the absolute willies.<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n<p><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>Like the first film, this is a very basic story about facing your phobias, about characters dealing with the grief of a climbing tragedy by brazenly inviting a new one. Like the first film, the only true antagonists here are rusty screws rattling out of place, the hundreds of metres below their feet, and the unstoppable power of gravity. And just like the first film, it is at its best when giving you the absolute willies.<\/p>\n<p><\/span><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>There are so many moments where these characters could, and should, just say: \u201cNope!\u201d Ladders wobble. Signs warn of extreme danger. Risk assessments are nonexistent. Soon they get stuck on something called the Devil\u2019s Elbow. Then it starts pissing it down \u2014 couldn\u2019t they have checked the forecast? \u2014 and our plucky heroes are contending with thunderstorms, earthquakes, landslides, even drug cartels. It\u2019s not just heights that will trouble you now.<\/p>\n<p><\/span><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>One particular sequence, in which the pair swing on monkey bars \u2014 with no rope! \u2014 at 3,000 feet will make you squirm. Yet while it is brutally effective in the sweaty-palm department, it somewhat falters elsewhere. Very basic dialogue (\u201cWe are going to make it out of here!\u201d), simplistic character development (getting stranded on a mountain will help conquer your fears!) and cheesy backstories (one core childhood memory is conveniently recorded on a camcorder) makes the experience feel scrappier and more generic than its sharply drawn predecessor.<\/p>\n<p><\/span><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>Still, in the disaster-thrills department, it does the job. And in its final moments, it makes an audacious gamble for franchise expansion (the FCU?) with a very confident sequel tease. Will we soon see our heroes team up to battle gravity itself?<\/p>\n<p><\/span><\/div>\n<p>Not quite as direct a hit of adrenaline as the first film, but still a compelling argument against ever climbing any higher than sea level. Expect absolutely dripping palms.<\/p>\n<div class=\"video-container\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Following the events at the B67 TV Tower, Jax (Harriet Slater) and Luce (Arsema Thomas) climb to the top of Thailand\u2019s Mount Kwan \u2014 with disastrous results. 2022\u2019s Fall was a ruthlessly efficient genre exercise, stripping the disaster-survival thriller down to its most essential parts. The premise was simple: two climbers (Grace Caroline Currey\u2019s Becky [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13970,"comment_status":"open","ping_status":"closed","sticky":false,"template":"Default","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-13969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-47"],"_links":{"self":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/13969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/comments?post=13969"}],"version-history":[{"count":1,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/13969\/revisions"}],"predecessor-version":[{"id":13971,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/13969\/revisions\/13971"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media\/13970"}],"wp:attachment":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media?parent=13969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/categories?post=13969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/tags?post=13969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}