{"id":14727,"date":"2026-09-28T15:27:10","date_gmt":"2026-09-28T12:27:10","guid":{"rendered":"https:\/\/imdbnews.ir\/?p=14727"},"modified":"2026-09-28T18:12:36","modified_gmt":"2026-09-28T14:42:36","slug":"halloween-the-game","status":"publish","type":"post","link":"https:\/\/imdbnews.ir\/index.php\/2026\/09\/28\/halloween-the-game\/","title":{"rendered":"Halloween: The Game"},"content":{"rendered":"<hr class=\"preferredSourceCTA-module-scss-module__sCL6Nq__divider\" \/><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p><strong>Platforms: PS5, Xbox Series X|S, PC.<\/strong><\/p>\n<p><\/span><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>\u201cEvil dies tonight!\u201d cry the angry residents of Haddonfield in a call to end Michael Myers\u2019 reign of terror in Halloween Kills. In Halloween: The Game, though, Evil jumps out of a cupboard only to get the shit kicked out of him by four 16-year-olds screaming down their microphones. Like Jason and Leatherface before him, it\u2019s Michael Myers\u2019 now gets the multiplayer videogame treatment, pitting four online players against another in the role of The Shape, as they try to save as many of the town\u2019s residents as possible and escape before Michael slices, dices or creatively hurls them through a TV screen.<\/p>\n<p><\/span><\/p>\n<div class=\"inlineImage-module-scss-module__t19_Pa__image-container block-item\" data-test=\"inline-image-container\"><img decoding=\"async\" loading=\"lazy\" data-nimg=\"fill\" src=\"https:\/\/imdbnews.ir\/wp-content\/uploads\/2026\/09\/halloween-the-game.jpg\" \/><\/div>\n<p><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>With many such games have tried to recreate the success of crowned king of horror multiplayer Dead by Daylight, but they almost invariably fall short by never fully embracing the wacky horror franchises they\u2019re pulling from. It\u2019s to Halloween: The Game\u2019s credit that it displays such a deep love for Michael Myers as a character \u2014 despite his many issues. The person stepping into the killer\u2019s shoes is encouraged to embrace the experience entirely, properly stalking your victims, with three levels of fear available to inflict by doing so. Rather than sneaking up behind people, it\u2019s very much in your interests to appear from behind a bush in full view and watch your victim properly freak out, with higher fear levels making them trip as they run, marking terrified targets on the map, or allowing Michael to unleash one of his many macabre special abilities.<\/p>\n<p><\/span><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>The best of these murder methods, and where the game truly shines on both sides of its killer\/survivor coin, is Michael\u2019s \u201cShape Jump\u201d ability, which sees the masked killer travel to new locations in an instant, dishing up some organic slasher-film moments. It\u2019s an absolute joy to have a survivor lock themselves inside a house, only for Michael to suddenly appear, staring back at them from the top of a staircase (made more satisfying by screams of terror over proximity-based microphone chat). On the flipside, it also provides some Carpenter-level scares for survivors as you turn a corner, only for Myers\u2019 firm hand to grab you by the throat, leaving you helpless and thoroughly spooked.<\/p>\n<p><\/span><\/p>\n<div class=\"inlineImage-module-scss-module__t19_Pa__image-container block-item\" data-test=\"inline-image-container\"><img decoding=\"async\" loading=\"lazy\" data-nimg=\"fill\" src=\"https:\/\/imdbnews.ir\/wp-content\/uploads\/2026\/09\/halloween-the-game-1.jpg\" \/><\/div>\n<p><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>As a survivor, you\u2019ll have a town full of NPCs to save, keeping you (and by extension Michael) consistently busy. However, the lack of maps and a relatively limited menu of objectives \u2014 including a way-too frequent button-tapping minigame to persuade townspeople to call the police \u2014 does get old before too long. With no roadmap to expand the game, either, this focuses on quick thrills over long-term engagement.<\/p>\n<p><\/span><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>Neither does the game quite manage to get away from some of the jankiness that is prevalent in the asymmetrical multiplayer genre. Here, melee knife swings often soar straight past your target, and there\u2019s slowdown when executing some of the game\u2019s many (very gory) environmental kills. Still, that doesn\u2019t mean there\u2019s no fun to be had in slamming the local jock into a window frame, and it never derails the experience as a whole.<\/p>\n<p><\/span><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>Halloween: The Game is also a rare example of the genre that comes complete with a single-player mode. Clocking in at a brisk three hours, it\u2019s essentially a glorified tutorial, but those with an affinity for John Carpenter\u2019s original will certainly get a kick out of playing through the 1978 slasher from Michael\u2019s POV (including the opening scene, first-person and all).<\/p>\n<p><\/span><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>While this never escapes the problems that plague similar games, thanks to gameplay that fully embraces all the franchise\u2019s unique quirks, this will nonetheless walk (very slowly) into the hearts of those who love Halloween.<\/p>\n<p><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Platforms: PS5, Xbox Series X|S, PC. \u201cEvil dies tonight!\u201d cry the angry residents of Haddonfield in a call to end Michael Myers\u2019 reign of terror in Halloween Kills. In Halloween: The Game, though, Evil jumps out of a cupboard only to get the shit kicked out of him by four 16-year-olds screaming down their microphones. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14728,"comment_status":"open","ping_status":"closed","sticky":false,"template":"Default","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-14727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-47"],"_links":{"self":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/14727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/comments?post=14727"}],"version-history":[{"count":1,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/14727\/revisions"}],"predecessor-version":[{"id":14729,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/14727\/revisions\/14729"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media\/14728"}],"wp:attachment":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media?parent=14727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/categories?post=14727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/tags?post=14727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}