{"id":15615,"date":"2026-10-19T23:09:37","date_gmt":"2026-10-19T20:09:37","guid":{"rendered":"https:\/\/imdbnews.ir\/?p=15615"},"modified":"2026-10-19T23:55:29","modified_gmt":"2026-10-19T20:25:29","slug":"the-beekeeper-2-director-timo-tjahjanto-set-for-miramax-action-comedy-the-burnout","status":"publish","type":"post","link":"https:\/\/imdbnews.ir\/index.php\/2026\/10\/19\/the-beekeeper-2-director-timo-tjahjanto-set-for-miramax-action-comedy-the-burnout\/","title":{"rendered":"The Beekeeper 2 Director Timo Tjahjanto Set For Miramax Action Comedy The Burnout"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/imdbnews.ir\/wp-content\/uploads\/2026\/10\/the-beekeeper-2-director-timo-tjahjanto-set-for-miramax-action-comedy-the-burnout.jpg\" class=\"ff-og-image-inserted\" \/><\/div>\n<hr class=\"preferredSourceCTA-module-scss-module__sCL6Nq__divider\" \/><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>Since bursting onto the scene with <em>V\/H\/S\/ 2<\/em>&#8216;s Gareth Evans co-directed segment &#8216;Safe Haven&#8217;, Indonesian filmmaker Timo Tjahjanto has steadily built a very robust directorial CV \u2014 delivering the one-two punch of 80s Hong Kong action homage <em>The Night Comes For Us<\/em> and horror joint <em>May the Devil Take You<\/em> before proving his Hollywood genre chops with last year&#8217;s violent delight <em>Nobody 2<\/em>. Now, in the same week the first trailer dropped for Tjahjanto&#8217;s second Hollywood sequel on the trot, <em>The Beekeeper 2<\/em>, <em>Deadline<\/em> is reporting that the action man is set for original Miramax action comedy <em>The Burnout<\/em>.<\/p>\n<p><\/span><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p>Now, we tend to err on the side of caution when movies get floated with tantalising &#8216;X meets Y&#8217; descriptions (although <em>Send Help<\/em>&#8216;s &#8216;<em>Cast Away<\/em> meets <em>Misery<\/em>&#8216; was a recent one that proved deliciously right), but <em>The Burnout<\/em> comes with a real doozy. Per <em>Deadline<\/em>, Tjahjanto&#8217;s next movie is being billed as \u2014 wait for it! \u2014 <em>The Big Lebowski<\/em> meets <em>Jason Bourne<\/em>, with the action following a past his prime former CIA agent, whose life as a carefree burnout (hey, that&#8217;s the title!) in Ibiza is upended when he finds himself reluctantly dragged back into action. Penned by Tom O\u2019Connor (<em>The Hitman&#8217;s Bodyguard<\/em>), with further punch-ups by Hunter Toro, the movie may have a premise that feels distinctly <em>Nobody<\/em>-esque, but that stoner comedy\/espionage thriller comp bodes well for an actioner that&#8217;ll come carrying its own distinct flavour and tonality.<\/p>\n<p><\/span><span class=\"content-module-scss-module__RI8h6a__content\" data-test=\"content\"><\/p>\n<p><em>The Burnout<\/em> is just the latest exciting genre movie plate Timo Tjahjanto is spinning at present, and joins a pipeline that elsewhere includes a planned Simu Liu led <em>Sleeping Dogs<\/em> adaptation, a sequel to Netflix hit <em>The Shadow Strays<\/em>, and an as-yet-untitled Indonesian-language thriller that&#8217;s currently in production at Netflix as well. All of which is to say that if you happen to be a Timo head (which we very much all do here at Empire HQ) then it looks like there&#8217;ll be no shortage of Tjahjanto-shaped treats punching, kicking, and otherwise fighting their way onto our screens in the near future.<\/p>\n<p><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since bursting onto the scene with V\/H\/S\/ 2&#8216;s Gareth Evans co-directed segment &#8216;Safe Haven&#8217;, Indonesian filmmaker Timo Tjahjanto has steadily built a very robust directorial CV \u2014 delivering the one-two punch of 80s Hong Kong action homage The Night Comes For Us and horror joint May the Devil Take You before proving his Hollywood genre [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15616,"comment_status":"open","ping_status":"closed","sticky":false,"template":"Default","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-15615","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-47"],"_links":{"self":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/15615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/comments?post=15615"}],"version-history":[{"count":1,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/15615\/revisions"}],"predecessor-version":[{"id":15617,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/15615\/revisions\/15617"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media\/15616"}],"wp:attachment":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media?parent=15615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/categories?post=15615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/tags?post=15615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}