{"id":8433,"date":"2026-04-16T13:19:27","date_gmt":"2026-04-16T10:19:27","guid":{"rendered":"https:\/\/imdbnews.ir\/index.php\/2026\/04\/16\/outcome\/"},"modified":"2026-04-16T13:19:27","modified_gmt":"2026-04-16T10:19:27","slug":"outcome","status":"publish","type":"post","link":"https:\/\/imdbnews.ir\/index.php\/2026\/04\/16\/outcome\/","title":{"rendered":"Outcome"},"content":{"rendered":"<p>Acting titan Reef Hawk (Keanu Reeves) is on the comeback trail \u2014 until a mysterious video threatens to derail his career and life forever.<\/p>\n<div><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>An overly familiar take on stardom and showbusiness,&nbsp;<em>Outcome<\/em>, Jonah&nbsp;Hill\u2019s&nbsp;second&nbsp;narrative feature&nbsp;following 2018\u2019s charming&nbsp;<em>Mid90s<\/em>, is a schizophrenic satire that flits between&nbsp;two incompatible strands. The first is a quiet character-study of Keanu Reeves\u2019 superstar reckoning&nbsp;with&nbsp;his past&nbsp;behaviours. The second is a whackier, outrageous comedy of Hollywood shenanigans&nbsp;about averting career-ending catastrophe. Unfortunately, Hill never finds a way to accommodate both tones and the result delivers more whiplash than Damien Chazelle could dream of. In short, there is nothing here that&nbsp;isn\u2019t&nbsp;done&nbsp;more&nbsp;sharply,&nbsp;funnily&nbsp;or&nbsp;with more resonance&nbsp;on&nbsp;<em>The Studio<\/em>.<\/p>\n<p><\/span><\/p>\n<div class=\"inlineImage_image-container__aklxu block-item\" data-test=\"inline-image-container\"><img decoding=\"async\" alt=\"Outcome Martin Scorsese\" loading=\"lazy\" data-nimg=\"fill\" src=\"https:\/\/imdbnews.ir\/wp-content\/uploads\/2026\/04\/outcome.jpg\" \/><\/div>\n<p><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Reeves is the improbably named&nbsp;56-year-old&nbsp;Reef&nbsp;Hawk,&nbsp;a&nbsp;movie star for four decades who, like no other actor&nbsp;ever,&nbsp;has&nbsp;fronted&nbsp;three franchises but also won two Oscars.&nbsp;The beloved public persona masks a private pain, half a decade of drug and&nbsp;booze&nbsp;addiction that is finally in the rear-view mirror.&nbsp;Now ready to make his comeback, he is extorted to the tune of $15 million, threatened by the release of a video that will&nbsp;finish&nbsp;his career. On the advice of his improbably named crisis lawyer Ira&nbsp;Slitz&nbsp;(Hill),&nbsp;Reef begins an apology tour,&nbsp;asking for forgiveness from those&nbsp;he has hurt in his life with the underlying agenda of revealing the blackmailer.<\/p>\n<p><\/span><\/p>\n<div class=\"pullQuote_pullquote__ynq1g\" data-test=\"pullquote\">\n<div class=\"pullQuote_pullquote__content__gRuai\">\n<blockquote>\n<p>Reef&nbsp;is also propped up by&nbsp;two high-school friends played by Cameron Diaz and Matt Bomer that embody the film\u2019s twin poles, by turns shrill and unfunny, then&nbsp;intimate&nbsp;and poignant.<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n<p><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>The damage-limitation&nbsp;sequences&nbsp;deliver&nbsp;<em>Outcome<\/em>\u2019s&nbsp;best moments. Reef\u2019s meeting with his mother (Susan Lucci), who used his fame to catapult into&nbsp;<em>The Real Housewives&nbsp;Of&nbsp;Beverly Hills<\/em>, is blistering, the pair revisiting&nbsp;the past&nbsp;while also negotiating the demands&nbsp;of reality TV. In a different register,&nbsp;Reef\u2019s reunion with&nbsp;former&nbsp;girlfriend&nbsp;Savannah&nbsp;(Welker White) is a scene of quiet pain, as&nbsp;the latter&nbsp;realises&nbsp;how&nbsp;much of her&nbsp;time was wasted.<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>But best of all is Reef\u2019s catch-up with his childhood agent, the improbably named Red Rodriguez, superbly played by Martin Scorsese. A&nbsp;<em>Broadway Danny Rose<\/em>&nbsp;small-timer who works out of a bowling alley, Red feels abandoned by his clients&nbsp;(\u201cthe guy you leave if you do your job right\u201d), and Scorsese nails that ache perfectly.&nbsp;It\u2019s&nbsp;by far the most affecting performance of the whole film.<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Which frankly&nbsp;isn\u2019t&nbsp;saying much. For the bulk of the film is dominated by Reeves, always likeable but strangely vacuous,&nbsp;involved in crisis-management&nbsp;meetings that feel far too broad&nbsp;to land. Hill\u2019s&nbsp;hyper-energised&nbsp;Slitz, all veneers and over-use of the&nbsp;word \u201cbubbe\u201d,&nbsp;is&nbsp;too much of&nbsp;a caricature to feel like he\u2019s in the same film as Scorsese\u2019s character, be it fielding calls from his clients (\u201cTom Hanks just body-slammed his housekeeper\u201d) or&nbsp;assembling a council of war&nbsp;(Roy Wood Jr, Atsuko&nbsp;Okatsuka, Laverne Cox, and Annie Hamilton)&nbsp;to fight&nbsp;Reef\u2019s corner. Reef&nbsp;is also propped up by&nbsp;two high-school friends played by Cameron Diaz and Matt Bomer that embody the film\u2019s twin poles, by turns shrill and unfunny, then&nbsp;intimate&nbsp;and poignant.<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Hill and co-writer&nbsp;Ezra Woods&nbsp;circle the&nbsp;piping-hot pitfalls of modern celebrity \u2014 cancel culture, separating&nbsp;the&nbsp;art from&nbsp;the&nbsp;artist, victim capitalism,&nbsp;the&nbsp;tell-all interview&nbsp;(with Drew Barrymore)&nbsp;\u2014 but&nbsp;don\u2019t&nbsp;really have anything to say about them.&nbsp;Hill\u2019s&nbsp;filmmaking also&nbsp;doesn\u2019t&nbsp;ring true,&nbsp;the score too insistent,&nbsp;Los&nbsp;Angeles&nbsp;looking&nbsp;like it was shot on&nbsp;<em>The&nbsp;Mandalorian<\/em>\u2019s&nbsp;Volume.&nbsp;Ultimately&nbsp;<em>Outcome<\/em>&nbsp;needed a more refined, truthful director.&nbsp;Maybe the&nbsp;Hill who turned up for&nbsp;<em>Mid90s<\/em>.<\/p>\n<p><\/span><\/div>\n<p>Parts of Outcome work a treat (see: Martin Scorsese). Shame, then, that long stretches give in to blunt parody, leaving the feeling there\u2019s a much better movie in here somewhere.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Acting titan Reef Hawk (Keanu Reeves) is on the comeback trail \u2014 until a mysterious video threatens to derail his career and life forever. An overly familiar take on stardom and showbusiness,&nbsp;Outcome, Jonah&nbsp;Hill\u2019s&nbsp;second&nbsp;narrative feature&nbsp;following 2018\u2019s charming&nbsp;Mid90s, is a schizophrenic satire that flits between&nbsp;two incompatible strands. The first is a quiet character-study of Keanu Reeves\u2019 superstar [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8434,"comment_status":"open","ping_status":"closed","sticky":false,"template":"Default","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-8433","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-47"],"_links":{"self":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/8433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/comments?post=8433"}],"version-history":[{"count":0,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/8433\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media\/8434"}],"wp:attachment":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media?parent=8433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/categories?post=8433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/tags?post=8433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}