{"id":9565,"date":"2026-05-20T19:02:37","date_gmt":"2026-05-20T16:02:37","guid":{"rendered":"https:\/\/imdbnews.ir\/?p=9565"},"modified":"2026-05-21T10:38:53","modified_gmt":"2026-05-21T07:08:53","slug":"jack-ryan-ghost-war","status":"publish","type":"post","link":"https:\/\/imdbnews.ir\/index.php\/2026\/05\/20\/jack-ryan-ghost-war\/","title":{"rendered":"Jack Ryan: Ghost War"},"content":{"rendered":"<p>When a deadly conspiracy involving a rogue black-ops unit is uncovered, retired CIA analyst Jack Ryan (John Krasinski) reluctantly returns to the world of espionage.\u202f\u202f<\/p>\n<div><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>With Father\u2019s Day fast approaching, dad-friendly content is suddenly filling our screens. In the coming weeks, get ready for an onslaught of action movies, World War II documentaries and&nbsp;_Top Gear_knock-offs. Sure enough, right on time, Jack Ryan \u2014&nbsp;the CIA analyst-turned-super-spy originated by Tom Clancy in his bestselling novels, and Hero&nbsp;To&nbsp;All Dads&nbsp;\u2013 is back. Having served four&nbsp;workmanlike&nbsp;seasons on Prime&nbsp;Video, John Krasinski returns to the role for&nbsp;<em>Jack Ryan: Ghost War<\/em>, his first feature-length outing and the first for the character since 2014\u2019s&nbsp;largely forgettable&nbsp;(and similarly&nbsp;vaguely&nbsp;titled)&nbsp;<em>Jack Ryan: Shadow Recruit<\/em>.<\/p>\n<p><\/span><\/p>\n<div class=\"inlineImage_image-container__aklxu block-item\" data-test=\"inline-image-container\"><img decoding=\"async\" loading=\"lazy\" data-nimg=\"fill\" src=\"https:\/\/imdbnews.ir\/wp-content\/uploads\/2026\/05\/jack-ryan-ghost-war.jpg\" \/><\/div>\n<p><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Krasinski is now by far the longest-serving steward of a character whose sensible-spook suit has previously been filled by the likes of Alec Baldwin, Harrison Ford, Ben&nbsp;Affleck&nbsp;and Chris Pine. He seems as comfortable as he did with Jim in&nbsp;<em>The Office<\/em>, playing him with dependably steady competence, quiet&nbsp;calm&nbsp;and a dash of natural amiability. But&nbsp;<em>Ghost War<\/em>&nbsp;feels like the weakest entry in his series, a franchise now seemingly running on fumes.<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>At the end of the last season, Jack had resigned his post as Deputy Director of the CIA and was&nbsp;attempting&nbsp;to live a life outside the spy game. When we rejoin him,&nbsp;he\u2019s&nbsp;back behind a desk, applying his considerable brain to the private sector. Naturally, his&nbsp;ol\u2019&nbsp;pal&nbsp;James Greer (Wendell Pierce), the agency\u2019s new Deputy Director, decides to pull him back in for One Last Job, recruiting him as a freelancer for a meeting with a contact in Dubai. (The&nbsp;reason why&nbsp;it simply had to be Jack Ryan, and not any one of the many CIA agents still at the agency, amounts to simply: well, the film&nbsp;<em>is<\/em>&nbsp;called&nbsp;\u2018Jack Ryan\u2019.)<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Naturally, the Dubai meeting does not go to plan and soon Jack is forced to contend with the mysterious Liam Crown (Max Beesley), a snarling Northerner in the Ed-Harris-in-<em>The-Rock<\/em>&nbsp;villain template: a disgruntled decorated military vet who turns to terrorism to make his point. Except,&nbsp;it\u2019s&nbsp;not entirely clear what his point is, beyond nebulous statements about \u201csending a message\u201d.&nbsp;This is one of those films with a plot both needlessly convoluted and&nbsp;actually quite&nbsp;stupid, if&nbsp;you think about it too much.<\/p>\n<p><\/span><\/p>\n<div class=\"pullQuote_pullquote__ynq1g\" data-test=\"pullquote\">\n<div class=\"pullQuote_pullquote__content__gRuai\">\n<blockquote>\n<p>Essentially plays&nbsp;like an extended episode.<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n<p><span class=\"content_content__i0P3p\" data-test=\"content\"><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>So opaque and exposition-heavy is the script, in fact, that there is&nbsp;practically no&nbsp;room for any character beats. Jack gets a cursory,&nbsp;\u201cI just want a normal life!\u201d moment. Sienna Miller earns a thankless role as an MI6 agent whose one and only personality trait is to chain-smoke cigarettes. Michael Kelly\u2019s Mike November is relegated to weak comic-relief duties. (The most unintentionally funny part of the film is that there is a pivotal,&nbsp;frequently&nbsp;referenced character called Nigel; with the greatest of respect to all&nbsp;Nigels, that is not a name that belongs in an action film.)<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>To its credit, the film&nbsp;attempts&nbsp;to place the plot within a political context, the villain positioned as a product of the post-9\/11 War&nbsp;On&nbsp;Terror and its ugly ramifications. But&nbsp;the&nbsp;overall politics feel wobbly at best; Clancy was obviously as hawkish as they&nbsp;come, but&nbsp;talk of American ideals and \u201cnational pride\u201d seems tone-deaf and&nbsp;somewhat outdated&nbsp;with the current situation in the United States. Instead, its most notable position&nbsp;seems to be&nbsp;accepting&nbsp;fairly brazen&nbsp;product-placement for Emirates Airlines and the&nbsp;UAE as a whole. (\u201cDubai is one the most technologically advanced cities in the world!\u201d coos one character.)<\/p>\n<p><\/span><\/p>\n<div class=\"inlineImage_image-container__aklxu block-item\" data-test=\"inline-image-container\"><img decoding=\"async\" loading=\"lazy\" data-nimg=\"fill\" src=\"https:\/\/imdbnews.ir\/wp-content\/uploads\/2026\/05\/jack-ryan-ghost-war-1.jpg\" \/><\/div>\n<p><span class=\"content_content__i0P3p\" data-test=\"content\"><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>At least the action is serviceable enough. The film\u2019s high-point comes with a genuinely tense car-chase and shoot-out across central London; if you can look past the geographical crime of action moving from Greenwich to Westminster in seconds,&nbsp;it\u2019ll&nbsp;raise the pulse here and there. Sadly, by the end, it devolves into thoughtless empty gunfire exchange, devoid of tension, excitement, or logic. It&nbsp;doesn\u2019thelp that it rarely feels cinematic, with dull head-and-shoulders framing and flat TV lighting.<\/p>\n<p><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/span><span class=\"content_content__i0P3p\" data-test=\"content\"><\/p>\n<p>Ultimately,&nbsp;<em>Ghost&nbsp;War<\/em>&nbsp;is simply following a&nbsp;recent&nbsp;trend of TV shows-turned-films that look and feel&nbsp;almost exactly&nbsp;like the TV version \u2014 a&nbsp;generous&nbsp;runtime, and a bit of extra cash in the budget, sure, but&nbsp;essentially playing&nbsp;like an extended episode. (See also:&nbsp;<em>Downton Abbey: The Grand Finale<\/em>,&nbsp;<em>Peaky Blinders: The Immortal Man<\/em>,&nbsp;<em>Karate Kid: Legends<\/em>,&nbsp;<em>The Mandalorian&nbsp;And&nbsp;Grogu<\/em>). Dads deserve better<\/p>\n<p><\/span><\/div>\n<p>Both unnecessarily complicated and woefully simple, this is one of the least successful Jack Ryan adaptations yet: neither Clear, nor Present.\u202f<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When a deadly conspiracy involving a rogue black-ops unit is uncovered, retired CIA analyst Jack Ryan (John Krasinski) reluctantly returns to the world of espionage.\u202f\u202f With Father\u2019s Day fast approaching, dad-friendly content is suddenly filling our screens. In the coming weeks, get ready for an onslaught of action movies, World War II documentaries and&nbsp;_Top Gear_knock-offs. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9566,"comment_status":"open","ping_status":"closed","sticky":false,"template":"Default","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-9565","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-47"],"_links":{"self":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/9565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/comments?post=9565"}],"version-history":[{"count":1,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/9565\/revisions"}],"predecessor-version":[{"id":9567,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/posts\/9565\/revisions\/9567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media\/9566"}],"wp:attachment":[{"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/media?parent=9565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/categories?post=9565"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imdbnews.ir\/index.php\/wp-json\/wp\/v2\/tags?post=9565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}